Fayans üzerinde Boyama (1382)

The creating ideas of "the golden stone paintings" originated the artistic thoughts of frescoes of the rock caves in Chinese Dunhuang culture. The first class stones are chosen with protecting environment, painted by the professional artist subtly with the designs of the eastern romantic charm and the western classics displaying on the flagstone.

The quality of the materials of the stone surface looks not only rough but also concave-convex, but it makes the layers of the painting clear, which is suitable for marking into the effect of the paintings. We choose the materials with both protecting environment, solid, green, bright and limpid. According to the contents, compositions, the refracting principal, etc. Of optics of the different frames, the stone masters have carved and polished carefully, who make the shapes of every stone material matched with the composition of the painting surface. The frames are different. So are the shapes of the stone. After the stone materials are carved into the products, they have been polished, dried and oiled over and over again. Then they have made use of advanced patent technology of the foreign countries in the modern times. The stone masters draw the different contents and all kinds of the frame lines on the stones. Next, the professional artists colored with the individual stroke by hand or the strokes that they pay attention to the detail of drawing or at their ease. The color is bright-colored. The artists keep the works as original as possible. After having drawn by hand, the senior artist will check the quality and the colors. At last the frames that have taken shapes have been dealt with through the protections of the deep chemical technology, which makes the frame keep lasting and bright of the color from beginning to end. At the same time they have the advantages of wear-resistant and protecting against water and light, etc.

The feature of the golden stone paintings lies in fine and smooth drawings. You can see not only the color of the drawing but also concave-convex rocks. It strengthens the stereoscopy of the frames. From the different angles you can feel the effects of the different sights. Since the surfaces of the frames have been dealt with through chemistry, which can protect against light and water, and which can keep the greasepaints that are not faded forever.